三彩壁画制作技艺

申报地区：西工区 2020年08月 第4批扩展项目

洛阳三彩壁画，古称五彩琉璃画，元末时期失传。清末民国时期又由日本、越南回传国内，形成三彩壁画及交趾陶等品种。

洛阳三彩壁画自唐代传世至今已逾1400余年。三彩烧成温度为1100度，色彩融于釉中，是当今世上少有的中温釉中彩，以色釉直接作画，所有的色釉在作画时皆呈橙色，1000度以后才变色，故有“入窑一色，出窑万彩”之说。三彩壁画色彩饱和度极高，可作出油画水彩工笔国画等各种画法效果，不惧火烧水侵。洛阳三彩壁画主要分布于洛阳市郊，目前基本采用钧瓷瓷板，各自独立配釉。釉色配方多达近千种，技艺广传于日本、朝鲜、越南等国，作为中国文化符号，在世界范围内熠熠生辉。

The production technique of Luoyang's Tri-colored Mural, known as multicolored glazed painting, was lost in the late Yuan Dynasty. It was from Japan and Vietnam that it spread back to China at the end of Qing Dynasty, With more than 1, 400 years in history, Luoyang's tri-colored murals will be fired with the color melts in the glaze and become colorful in medium temperature of 1,100 degrees. The tri-color mural is of extremely high color saturation and waterproof, and can produce various painting effects such as oil painting, watercolor, meticulous Chinese painting and etc. Mainly distributed in the suburbs of Luoyang, there are nearly a thousand kinds of glaze formulas of Luoyang's tri-colored murals. It has become the symbol of Chinese culture and widely spread in Japan, North Korea, Vietnam and other countries.